Twelve years on, 'The Walking Dead's best episode is still its first.
Has ever produced a more iconic image than ( Andrew Lincoln) riding into an abandoned Atlanta via an empty highway? It’s a wonderfully bleak shot that establishes the tone flawlessly, and its reputation has spread so far that even people who have never watched the show can recognize it. Seemingly AMC also realized its power considering how much they slapped it on every piece of marketing for the show’s first season – a season that, in retrospect, feels like it belongs to an entirely different show. There was a time when
But didn’t always exist as a vehicle to create what feels like an infinite number of spin-offs, and returning to Season 1 after such a long time feels like peeking into the same parallel universe where
Rather than flooding the episode with action and overblown theatrics as though petrified that the slightest moment of downtime with have audiences scrambling en masse for the off button, Darabont – in what would also be his only directing credit for the show – keeps things simple. Very little happens from a plot perspective (the consequence of Darabont
Rick Grimes is a refreshing protagonist for a show like this. On the one hand, he’s a police officer with extensive knowledge of weapons and survival techniques, but he’s also a recently comatose man that still hasn’t recovered from his injury. His backstory establishes him as a man who lives according to a strict code of ethics, but suddenly he’s in a world where such things no longer apply, resulting in a compelling dynamic where he’s simultaneously the best and worst prepared person for a zombie outbreak. The decision to thrust him headfirst into the apocalypse after waking up from a coma is the smartest decision Darabont made. Not only does it allow him to jump straight to what we’re all here for, but it also makes Rick an ideal audience surrogate. He spends most of “Days Gone Bye” wondering just what the hell happened while he was gone, piecing together the fragments of his missing months at the same rate we do. There’s a reason Rick continued to entice viewers even after the show’s decline, and it’s impressive how much Darabont and Lincoln were able to get right with his first appearance.
Frank Darabont may be famous for directing and , but he got his break as a horror writer, contributing to the scripts for and . With “Days Gone Bye”, that lineage is on full display. There are multiple scenes vying for the title of the scariest moment here. One of the lead contenders is the hospital scene, a sequence that manages to turn ten minutes of someone walking through corridors into a masterclass in creating atmosphere and tension. Sure, seeing a cafeteria door with ‘Don’t Open, Dead Inside,’ scrawled across it is a bit of a giveaway, but it’s the subtleties that sell the moment. The wilted flowers, the broken clock, the flickering light at the end of the hallway… things that would be of no concern in isolation, but together they paint an entirely different mood. Even before Rick leaves his room it’s clear that something is very wrong, and watching him gradually piece that realization together is devasting to watch.
What follows is the perfect representation of waking up in a nightmare. Every step Rick takes plunges him further into the pits of hell – a sentiment that proves strangely accurate when he has to descend a pitch-black stairway with only a pack of matches to light his way. It’s a nerve-racking encounter, guaranteed to get your heart pounding in anticipation of the inevitable jump scare. But Darabont doesn’t resort to such cheap tricks. Instead he lets the audience’s imagination do the work for him, a trick that a century’s worth of horror films has continually proved to be the most terrifying thing in the world. When Darabont does unleash a haunting visual, he waits until we’re in the comfort of day, tricking us into believing we’ve escaped the worst. As the glare of the afternoon sun fades away, Rick peers out over this strange new world to see row after row of body bags strewn across the parking lot. He gazes at them, making no attempt to hide his tears, then staggers off in the vague direction of his house. It’s only right that Darabont ends such a disturbing sequence on its most disturbing sight, bringing it to a fitting conclusion that flawlessly sets the tone for the remainder of the episode.
Even putting this scene aside, it’s impressive how many memorable set pieces Darabont fits into such a short runtime without ever feeling overstuffed. At times “Days Gone Bye” has the feel of a greatest hits collection, cramming every zombie-related idea Darabont has into one script with no regard for how that would impact future episodes. One minute Rick’s lamenting the state of things after discovering a couple who committed suicide in their farmhouse, and the next he’s fighting off a horde of zombies while trapped beneath a tank. Even the
Rick doesn’t cross paths with many living people in “Days Gone Bye”, but the exception to this is Morgan ( Lennie James), a character who solidifies the episode’s brilliance. When we meet him he’s living in a rundown house in Rick’s old neighborhood. “This place, Fred and Cindy Drake’s,” says a shell-shocked Rick as he hobbles around the ruined living room. “It was empty when we got here,” replies Morgan, a cold statement that says more than enough. Whatever it once was is irrelevant – now it’s a haven for him and his son Duane ( Adrian Kali Turner), and his knowledge of the outside world proves invaluable as he shepherds Rick through this hellish landscape. When Rick asks why he hasn’t moved on, he’s coy with his reasons, but the eventual reveal becomes the episode’s most devastating moment. His wife has turned, and now she’s roaming the streets outside the house as a living symbol of his failure. Morgan’s secret is Rick’s worst fear, and this revelation is all he needs to resume his search for his family. They part with the promise that they will reunite. It’s unclear if either of them thinks that will happen, but the hope is there, and they could both do with a bit of hope right now.
The following scene is amongst the best of Darabont’s career. Tormented by his past too long, Morgan takes up a rifle and attempts to put his wife out of her misery… but he can’t do it. Instead, he just breaks down in tears. It’s heartbreaking to watch, and serves to highlight just how distressing a zombie outbreak would be. These are not mindless killers who exist solely as target practice for the living, but little pockets of tragedy who all have their own story to tell. Darabont intercuts Morgan’s ordeal with footage of Rick confronting a legless zombie on his way out of town. Rick mourns what has happened to her, once again failing to hide those tears, then fires a single bullet through her head to give her a modicum of peace. The juxtaposition between the two scenes is phenomenal (aided by the best piece of music
Returning to “Days Gone Bye” is a strange experience. There are times when it feels akin to reading a novel where the original author was quietly removed somewhere around the second chapter, and that’s not a stone’s throw from the truth. Darabont’s firing during Season 2 is a blow